Traveling with Fakeer and his camera from Marrakesh towards the Sahara.
Muni’s photographs taken at Osho Sun River Festivals in Italy (the next one will be 8-11 September 2022).
Part 3 of Premgit’s photo essay, Earth, Love, Divine, honouring Mother Ganges in the timeless city of Banaras.
Part 2 of Premgit’s photo essay, Earth, Love, Divine, documents the festival celebrating Murugan, the warrior son of Shiva.
Saku, Osho Risk’s in-house photographer, shows playful and creative pictures, some taken (and staged) during the initial lockdown phase in Denmark.
In two slide shows a preview of the photos that will be included in Michael Sudheer’s upcoming photo book.
A small selection from Prabhat’s photographs taken in Tel Aviv, Israel, during the coronavirus lockdown and social distancing time.
New photos by Prabhat (Nimi Getter): “It is an alive and busy town trying to conjure a normal reality, such as known from any other big city in the western world.”
“Rome is a place of extremes where everything coexists in a pulsing, passionate chaos of life and art. It’s an explosion of the senses,” writes Navyo as he presents his latest photos from the Eternal City.
On a recent visit to Manhattan, New York, Sudheer captured black and white impression of new buildings.
Rarely a day goes by without a glance at Mt Ariake. It is not fully visible from our house but towers majestically over the whole surrounding village and beyond, says Surendra.
Navyo visits (with his camera) the Gloucester Cathedral in England. “The cloisters are a masterpiece, a manifestation in stone of the mystical realms of the spirit,” he asserts.
Surendra observed the growing of the rice in Nagano, Japan and documented his findings with his new digital camera, saying that “This year has seen a leap from many years of black and white photography into colour.”
Devesh shares a mixed selection of photographs; “I rarely go looking for images, rather I find myself surprised and inspired by the things I see around me, almost all the time.”
A series of Avinasho’s playful photographs. “I never wanted to portray the world as a postcard and so started to ‘play’ with my camera without ever reading the instruction manual…”
Petra Huber’s photographs of olive trees and others that grow on the Greek island Corfu. “Trees give me a feeling of peace and protection…”
Navyo’s collection of b/w photos of staircases he took in Italy. “The curve of a spiral stair echoing the feminine, the angled corners of a boxed stairwell the masculine. It’s a play of form the architects clearly intended and can be seen throughout the country.”
Surendra explores the Japanese countryside for abandoned buildings and sees that death really is at the heart of life.
Surendra shares his love affair with Dartmoor, an area of moorland covering almost 1,000 square kilometres, located in southern Devon, England.
Navyo writes, “Bordeaux shows herself like her wine – rooted in history, mature and nourishing, inviting and distinctly sophisticated, she is a city not to be overlooked. “
Photo exhibition of Prabhat’s work in Tel Aviv, 28th April till 5th May 2016. Introduction by Nayana.