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Media Watch

“Just open the window of your inner world and allow the beautiful experience of sunrise to blossom within,” writes Pratiksha Apurv in Speaking Tree, India, on January 6, 2018.

Slide guitarist Amano Manish’s score for the film, Rebellious Flower, earned the Alex North Award for Best Original Score at the Tenerife International Film Music Festival. Article by Ashwin Khan in the Pune Mirror on November 19, 2017.

The mantra that Guru Nanak gave to the world explains to seekers that God is not separate from His creation. He is totally absorbed and immersed in the one He has created, writes Pratiksha Apurv. Published in Speaking Tree, India.

“Please note that Osho can never be a brand; he is a Buddha, an awakened one, an enlightened mystic. He belongs to the whole humanity. Nobody or no institution can monopolise his vision,” says Swami Chaitanya Keerti. Published in the Hindustan Times on October 15, 2017.

“Osho points out that the educator, from kindergarten to university, is in the service of the vested interests, is in the service of the establishment,” writes Keerti in the Asian Age on October 11, 2017.

Having grown up with Rajneesh (Osho) in our student days and as a family friend, I am often asked what his teachings were! I don’t think that even Osho could have given a straight answer, writes S.K. Saksena. Published in ‘merinews’, Mumbai, on July 26, 2017.

Osho makes a distinction between ordinary laughter and laughter that can aid our spiritual practice, writes Swati Chopra in the Asian Age on June 29, 2017.

One needs to move from this misery to the mystery of life that surrounds us every moment, declares Keerti. Published in the Deccan Chronicle on May 9, 2017.

Pratiksha Apurv describes Osho’s favourite form of meditation from the 112 forms known, and says that it can transport you to bliss. Published in ‘Speaking Tree’, India, on April 16, 2017.

Religions have created frames to help you look for the Divine, but they act like blinkers, preventing you from looking at the larger picture, writes Pratiksha Apurv in this editorial published in Speaking Tree on March 4, 2017.